Seeking non-Equity, metro-Atlanta based actors. All roles will be understudied. Stage Door Theatre seeks a diverse group of actors and performers including, but not limited to gender identities, body types, ages, abilities, sexual orientation, ethnic and racial backgrounds. All ethnicities welcome; no roles have specific needs. We are open to actors of all gender identities.

Proof  Casting Notice

AUDITION DATES:

Saturday, October 17th – 11am-4pm

Sunday, October 18th – 5pm-9pm

 

CALLBACKS:

Sunday, October 25th – 5pm-9pm

PREPARATION:

Please fill out the audition form found at the link below prior to auditions.

https://docs.google.com/forms/d/e/1FAIpQLSfNyc8BioHBaU5LnesYicFudtr9fA7A6_IWogtzP7arHzx-HA/viewform?usp=sharing&ouid=104257595131875632123

 

 

The sides and script can be found here:

https://drive.google.com/drive/folders/1ZM_be5u_pGBPW_pAeBwuVc3VdM9YXW8t?usp=drive_link

 

A reader will be present and printed sides will be available at auditions and callbacks. 

 

APPOINTMENTS:

Please sign up for an audition slot using the link below. 

https://www.signupgenius.com/go/10C084BAAA622A0FEC70-65703379-proof

 

VIDEO SUBMISSION:

For those unable to attend in person, we are accepting video submissions now through Friday, October 16th  at 10pm. All video submissions should be shared in the Audition form found at the link under appointments. 

 

LOCATION:

Stage Door Theatre

5339 Chamblee Dunwoody Rd. Dunwoody Ga 30338

Next to the Spruill Arts Center and Dunwoody Library in the Dunwoody Cultural Arts building. All parking surrounding the building is free. The entrance to the Stage Door side of the building is opposite of the library with the small parking lot running parallel to the main road. 

 

PERSONNEL:

Expected to attend

Producing Artistic Director: Justin Ball

Director: Cara Mantella

 

Proof by David Auburn

Directed by: Cara Mantella

First Rehearsal: Tuesday, Jan. 12th 2027

Tech: Tech Jan. 30th to Feb. 5th  (Monday, Feb. 1st OFF) 

Performance Schedule:

Saturday, February 6 @ 7:30pm 

Sunday, February 7 @ 2:30pm 

Thursday, February 11 @ 7:30pm (Pay What You Can) 

Friday, February 12 @ 7:30pm 

Saturday, February 13 @ 7:30pm 

Sunday, February 14 @ 2:30pm 

Thursday, February 18 @ 7:30pm (Pay What You Can) 

Friday, February 19 @ 7:30pm 

Saturday, February 20 @ 7:30pm 

Sunday, February 21 @ 2:30pm 

 

Pay: $1200

Pay for understudies and swings: $400 plus an additional $100/performance. 

Show Synopsis

Catherine has lived alone with her father, who had once been a world-renowned mathematician, in order to care for him during a period of mental decline. But the nature of their conversations is starting to cause her to fear that she may share more with her father than a love of numbers. Complicating this is one of her father’s former students, Hal, combing through his journals for something of value, while anxiously wondering if his own best days are behind him at 28. And Catherine’s sister, Claire, who only wants the best for Catherine, though her motives may not be entirely unselfish. A poignant and surprisingly funny look at what we’re willing to sacrifice for those we love 

 

CHARACTERS

Catherine (Female Identifying) – 25 years old, who inherited much of her father’s mathematical genius and, she fears, his “instability” as well; she gave up her life and schooling to take care of her father until his recent death.

Claire (Female Identifying)– Late 20’s-30’s. Catherine’s older sister, a practical and business-minded woman who has been comfortably successful in her work and relationships. She left Robert and Catherine behind, distancing herself from the run-down family home of her youth. She left the family to make a new life for herself in New York City.

Robert (Male Identifying) – 50’s-60’s. A recently deceased mathematician praised for his groundbreaking work in his youth, but whose later years were plagued by delusional mental illness; he is seen in Catherine’s imagination and in flashbacks.

Harold (Hal) Dobbs (Male Identifying)– 28 years old. One of Robert’s last Ph.D. students during the one year his idol and mentor’s illness went into remission, at least enabling Robert to teach, if not continue his own creative mathematical work.